Dear Tony Richard Hunn (1949-2006) was both my academic and spiritual teacher. He taught me how read, write and interpret traditional Chinese ideograms. I trained with him between 1989-2006. He was an English gentleman who could read, write and speak many dialects of the Chinese language - including the rare Hakka dialect spoken by our Chinese grandmother (whom Richard met in 2000 during a visit to our house). I wrote this for Richard following his passing: He helped me understand and balance the two sides to my character - the 'Chinese' and the 'British'. He used to work for Pebble Mill (BBC) - but was an academic expert on the Chinese language and Chinese Buddhism. His spiritual teacher was Charles Luk (1898-1978) - who in-turn trained under the Great Chinese Ch'an Master Xu Yun (1840-1959). To me, Richard Hunn represented everything that is great and good about the UK. In 1991, Richard Hunn gave-up his life in the UK and migrated (via a modest academic study grant) to Kyoto in Japan. He lived there between 1991-2006 (marrying a Japanese woman - Taeko - with whom I am still in communication with today). Why did he choose Japan? Well, he received an academic grant to study the transmission of Chinese Ch'an from China to Japan - which included examining the Chinese Ch'an Temples that still exist in Japan - separate and distinct from the Japanese 'Zen' Temples. Every August-September each year, Richard Hunn (who worked at Kyoto University) used to escort a number of his English Study students (usually 20 or so) to look around London. The students would stay for about two-weeks before returning as a group to Japan without Richard. Being 'free' of this responsibility, Richard would visit all his family - before spending a week or two at our house in Sutton (Priory Road - where you showed me an excellent Tensho Kata in the hall). We would meditate together and discuss reality deep into the night. He used to test my understanding of Chinese ideograms - crushing my stupidity and encouraging my insight. Even so, I was reticent to actually 'translate' anything - until a number of Mainland Chinese students studying in the UK checked my work - and encouraged me to start translating. I was then put in contact with a number of academics in China and my life entered a new phase. Richard Hunn visited a number of old martial arts 'Dojo' positioned in and around the remote Kyoto hills. He was often 'Introduced' with a letter to various Old Masters who lived in rustic huts - usually with only one or two disciples. Many practiced Chinese arts unaltered in anyway for hundreds of years. These Japanese men and women also studied traditional Chinese ideograms - the original language of the arts they preserved. As these arts existed 'outside' the grading (coloured-belt) system of Japan - they were excluded from all State financial support - hence their simplistic existence. Best Wishes Adrian
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Dear B As far as I am aware, Master Xu Yun had studied the Yijing as a child (and youth) under the strict supervision of the numerous tutors that his (Scholar-Official) father traversed through the household. This was in preparation for Xu Yun to take the 'Scholar-Official' Government Examination - which required the rote learning of the Four Books and the Five Classics - and the meticulous replication (word for word) of required sections of each text. A good Scholar-Official must demonstrate how he would deal with each real-world incident by referring to a precise and exact extract of whichever divine-text was relevant to the situation. There could be NO deviation from this ancient (and 'perfect') process if a candidate was to be successful. Remember, tens of thousands applied - and only the low-hundreds would be 'Passed' - according to governmental needs (which meant thousands who had 'Passed' would be 'Failed' as no posts existed for them to be allocated toward). On paper (and in public), Master Xu Yun always distanced himself from Confucian and Daoist Texts (the Yijing in China is considered a 'Confucian' Text). This is to be expected from a man who betrayed the will of his father and instead embraced the Path (Dharma) of the Buddha - a religion that even today is considered 'foreign' in China. To be successful on this path - Xu Yun had to completely abandon what appeared to be the worldly path as defined by Chinese convention. Therefore, the (Indian) Vinaya Discipline took the place of the Four Books and the Five Classics. If this was the cae, then why did Xu Yun (privately) advise Charles Luk to study the Yijing and integrate it with the Ch'an Path? In the UK - Richard Hunn (my primary teacher) was considered the most prominent 'Master' of the Yijing - as he could read the original (and ancient) Chinese ideograms and even lectured about this Text to ethnic Chinese students attending University in Great Britain in Putonghua! For our Ch'an (Caodong) Lineage (Master Xu Yun inherited and transmitted all Five Houses of Ch'an - but in his private transmission he only favoured the 'Caodong') - the Yijing is a pivotal and yet 'hidden' Text. Remember, the Caodong Masters were also experts in the study of the Yijing - and they used trigrams and hexagrams to devise the Five Ranks System. Xu Yun was the opinion that it is only through the study of the Yijing that the Caodong methodology can be truly understood. In this regard, John Blofeld was never privy to this advanced knowledge. If he met Xu Yun - it was merely for a few minutes where Blofeld (by his own admission) spouted nonsense. Of Course, I salute your efforts and you must never be afraid (as I know you are not) to pull the whiskers of the tiger! With Metta Adrian
Chinese Ch'an is the method of permanently altering one's perception. This is achieved by changing 'how' and 'where' the individual places their 'attention'. The default setting for human-beings - which is linked to the evolutionary drive to survive - requires the general attention to be fixed upon the sensing of permanent (external) stimuli - as mediated through the six sense-organs. Modern science, of course, informs us that there are many more than just the assumed 'five' senses in the West (perhaps as many as 'thirty') - but these further senses are in fact specific aspects (or elements) of perception - and easily fall within the Buddha's schematic of defining the 'mind' as a 'sense'. Human ancestors had to be acutely 'aware' of their surroundings if their chances of survival were to be enhanced. After the development of the human mind, body and environment - settled human culture allowed individuals to contemplate their existence. As much of this is speculative in nature - it falls under the subject of religion and spirituality - with the modern trend involving secularised conspiracy theories. The point is that there are many 'external' places (the 'guest' position) where individuals are able to place their awareness. It does not matter what belief system sustains this 'externality' - as the 'guest' position is NEVER left. The Chinese Ch'an tradition offers a methodology to alter, shift and change this orientation. Chinese Ch'an does this by transitioning the default setting of human perception away from the 'guest' position - and toward the 'host' position. The 'host' position is comprised of the empty essence that underlies ALL perception. Therefore, it does not matter where an individual lives, when an individual lived - or the culture that defines the prevailing material conditions - the empty mind ground will ALWAYS underlie whatever physical structures the conditioned elements construct. Today, many spiritual schools are content to pursue a material path that encourages adherents to become attached to this or that outward manifestation - often for a large fee! Being 'attached' to whatever form of externality that takes your attention is not difficult and you certainly do not need another's permission or guidance to attain it. This is why a genuine Ch'an teacher is often unpopular in the world of material externality - as he or she continuously speaks and acts from the 'host' position. The genuine Ch'an teacher is a beacon of stable hope in a sea of changing uncertainty - as was the example of Master Xu Yun (1840-1959). In the meantime, words, silence, actions, and inactions - all serve to turn the adherent's attention BACK (inward) toward the empty essence of ALL material experience. If you are looking for the confirmation of your existing views and opinions (the 'guest') - then you have come to the wrong place. There are many 'businesses' out there that will sell you a robe and an ordination certificate. How's that for unpopularity?
What about the dishonest, the the lying and the deceptive? What happens when such people 'pretend' to seek Ch'an instruction, guidance or clarification? Generally speaking, this is not a problem. If the Ch'an Teacher, Master or Guide has realised the (enlightened) 'host' position, that is the 'empty mind ground', then the questioner - regardless of their apparent 'honesty' or 'dishonesty' - simply represent the (deluded) 'guest' position, and no further explanation is required. The 'honesty' and/or 'dishonesty' of the enquirer means absolutely nothing as the moral-tone of the words such individuals use are all subject (without exception) to being 'returned' to their essential source. The Hua Tou method does not discriminate or support any form of dualistic thinking or acting. The 'enlightening' function is performed by all genuine Ch'an Masters automatically turn ALL words, regardless of the moral orientation of the enquirer, back to their empty essence. When the enquirer is subjected to this process in an appropriate manner, then all delusive constructs 'drop-away' never to arise again. The genuine Ch'an Master is indifferent and can laugh, smile, remain silent or chastise as the need arises. What matters is the realisation that there is NO action the 'guest' can take which will disrupt the 'host'! When the 'host' rests in the 'host' - the trivialities of the 'guest' have NO place to abide or function! Therefore, those who approach - 'approach' - and when 'struck-down' - they 'leave'. Nothing changes in the reflection and there is NO undue movement in the situation.
Richard Hunn (Wen Shu) was NOT keen on any notion of ‘Transmitting’ the Ch’an Dharma. This coincided with his attitude of NOT wanting to be associated with any particular University, Publisher or Dharma Group, etc. I agree with this approach. Dogma, idealism and superstition has nothing to do with genuine Chinese Ch’an Buddhist practice. What an individual does with their mind (and body) regarding attitudes and opinions held concerning life, politics, culture or everyday activities – has absolutely NO interest for the genuine Chinese Ch’an Master! This attitude is encountered time and again throughout the Tang, Song, Yuan, Ming and Qing Dynasties Ch’an writings of Imperial China – with Master Xu Yun (1840-1959) carrying-on this attitude into the post-1911 era of ‘modern’ China! Obviously, I have NOTHING to transmit. Teaching is simply taking the conditions that already exist – and turning the awareness of the enquirer back toward the ‘empty mind ground’ from which all perception arises (and ‘returns’ according to the Chinese Ch’an tradition) - this is a ‘transmission’ in a general sense – but such an interaction cannot be interpreted as an individual in the West being granted ‘Transmission’. Within Chinese culture, such ‘Transmission’ was Confucian in origin and often travelled within birth families and specific name clans – very seldom (if ever) was a ‘Transmission’ initiated ‘outside’ the family (as ‘outsiders’ could not be trusted to use the family secrets of spirituality, science and martial arts properly). Later, when the ‘Transmissions’ of (related) ‘Father to Son’ was adjusted to accommodate (non-related) ‘Masters to Disciples’ - outside ‘Transmissions’ (separate from the Confucian birth-process) was developed. This is the agency of continuation from generation to generation preserved within the Chinese Ch’an tradition. Birth-relationship is replaced with a ‘strict’ attitude of ‘respect’ and the maintaining of ‘good’, ‘correct’ and ‘appropriate’ decorum, behaviour and deportment. Even within ‘modern’ China – this is a difficult interaction to a) perform and b) achieve. The standards for keeping the mind and body permanently ‘clean’ night and day and is often viewed as being far too difficult for the average individual to meet. As ‘Transmission’ is NOT a game and given that ‘Transmission’ within the Chinese Ch’an tradition is NOT the same as ‘Transmission’ within the Japanese Zen tradition – it is obvious that when the Chinese Ch’an tradition ‘flows’ into the West – it is NOT the case that ‘Transmission’ can easily be applied. The empty mind ground must be ‘realised’ (not an easy task) and ‘maintained’ in every situation (an even more unlikely achievement). I have experimented with ‘Transmission’ in the West – but have found that as soon as the event unfolds – an IMMEDIATE ‘dropping away’ of all interactive effort, respect and continuation occurs. This means that the crucial and inherent energy is diminished, sullied and obscured - and the Ch’an lineage loses its clarity, understanding and ability to ‘free’ others. This explains ‘why’ I have eventually WITHDRAWN all so-called ‘Transmissions’ as a means to emphasis the recorded activities of the Chinese Ch’an Masters – written down in China and translated into English by Charles Luk [Lu Kuan Yu] (1898-1978). Granting Chinese language Dharma-Names and formally ‘Welcoming’ individuals into the ‘Lineage’ - does NOT constitute a ‘Transmission’. As helping others is a key element of the Bodhisattva Vow – I do NOT wish to inadvertently ‘damage’ the Chinese Ch’an tradition entrusted to me – by generating what amounts to a ‘dysfunction’ of transmission.
Dear Taeko I hope you are well! I remember myself and Richard discussing the 'lost' tour of Japan (which took place in the Tokyo 'Budokan') by the masterful British pop group 'The Beatles' - during mid-1966 (June 30th and July 1st)! For reasons unknown, this part of Beatles history renaimed obscure until very recent times. I was born one year later during the Summer of love (May 1967)! I write because recently this tour of Japan has been released again in the UK - and after acquiring a copy - my conversations with Richard came to the fore-front of my mind! There is a an audio CD and a visual DVD all presented in a hand-numbered 'Limited Edition' Box Set. Richard explained to me that he felt the greatness of 'The Beatles' stemmed from a) the mastery they possessed regarding the use of their instruments (like a martial arts 'Master' expertly wielding the 'Weaponry' of the Style), and b) the mastery of the creative aspect of their minds! Together, this interaction created a sublime relationship between the 'surface' mind and the deepest (Empty) aspects of their mind - an interaction which manifested in the physical world through an eternal and Zen-like musical creation that 'transcended' its own mode of existence! All Best Wishes Adrian Reply 1.4.2023 (Email) Taeko Hunn to Adrian Chan-Wyles
Dear Adrian Thank you for your message. The music and popularity of the Beatles hasn’t been changed. It is fun to know that you and Richard had the conversation about the Beatles that you described. He too loved the music of the Beatles. I remember him playing Beatles numbers on the piano from time to time.😊 Thank you for always remembering to write to me. Please take care of your health. Best wishes Taeko (和谷多恵子) PS: It is a beautiful season in Kyoto right now - with the cherry blossoms in full bloom... Attached is a photograph taken at sunset at Shinnyo-dō (真如堂) - Richard's favourite temple. There is a significant difference between the falling into the state of ‘dull’ nothingness (as warned against by Master Xu Yun) and the realisation of genuine ‘emptiness’ within traditional Chinese Ch’an training. The difference must be properly understood if progression is to be made. a) ‘Nothingness’ (Pali 'Akincanna’) - or ‘No-Something-Ness' - is the falling into ‘dull’ nothingness often mistaken as the realisation of genuine ‘emptiness’ and ‘enlightenment’ - which is still ‘post-thought’ in manifestation. b) The realisation of genuine ‘Emptiness’ (Pali ‘Sunnata’) or relative enlightenment is ‘pre-thought’ - as the empty mind ground is what is perceived when no thoughts arise. What does this mean? Dull nothingness (akincanna) is a thought form with a non-descript content. In other words, a thought is generated which is defined by the usual boundaries and parameters that constitute the average structured ‘thought’ form - but the meditator misunderstands this ‘non-descript’ content and mistakenly grasps it as being the empty mind ground. The trap here is that a manifest ‘thought’ (and stream of thought) is masquerading as the psychic fabric from which all structured thought arises – and which pre-exists all thought. This state is mistaken as complete and perfect enlightenment and those trapped within it start misleading others down the wrong path. By way of contrast, the state of genuine ‘emptiness’ (sunnata) is realised when all thought generation ‘ceases’ at its source – and the empty mind ground manifests and becomes apparent as its presence is no longer obscured by the continuous stream of thought which normally traverses the surface mind. No thoughts arise whatsoever and so the empty mind ground becomes perceivable. As there is a sense of ‘constriction’ - this genuine state of ‘emptiness’ realisation is termed ‘Sitting atop a hundred-foot pole’ (which is symbolic of Hinayana enlightenment), as it is accompanied by a sense of ‘peace’ and ‘tranquillity’ - but a further stage of training is required.
Dear J
Thank you for your interesting email. Richard Hunn spent much of his mature years working upon a full Chinese-English translation of the Yijing whilst working with a British publisher at a time when such an idea was unheard of in the West. The problem was that this publisher wanted to change many aspects of the translation and Richard Hunn disagreed - as these changes would alter the intended meaning of the translation. Due to these creatiive difference - the Publisher eventually pulled the plug and the project was shelved (in the late 1980s). Nowadays, translations like this are fairly common in the West (many produced by ethnic Chinese scholars) - so perhaps Richard Hunn was ahead of his time! As well as studying the available Richard Wilhelm translation (in its various guises) - Richard Hunn thought highly of the concise (English) translation generated by John Blofeld (not very well-known today). Although Richard Hunn would spend much of his time reading the original Chinese language version of the Yijing presented to him by Charles Luk (1898-1978). John Blofeld translation is only the 64 Hexagrams and the directly related commentary material (together with the 'line' commentaries) excluding the Ten Wings content. This is similar in structure to the various 'Pocket' or 'Concise' editions of Wilhelm (premised upon the 1950 edition translated by Cary F. Baynes from the German into the English language). John Blofeld's rendering of the Yijing, however, is a very different English language translation than that generated by Wilhelm-Baynes (Richard Hunn personally knew John Blofeld - despite Richard being much younger than John). John Blofeld ended his days living in Thailand (I believe with his Asian family). Once a suitable translation of the Yijing is secured - as there are many today - then it is a matter of a) intellectually studying the history and meaning of the text as if it were a typical (narrative) subject similar to academic history or philosophy, etc, and/or b) taking the exactly opposite approach of relating to the Hexagram and related text (including the Ten Wings) - in a direct and existential manner which draws the totality of the 'past' and the 'future' into the 'eternal' present. This replicates today exactly how the original 'Zhouyi' a) developed over time, and b) was used 'directly' by the Diviners of the Zhou Kings! Of course, Chinese language tradition talks of earlier (but similar) divinity manuals existing during the Xia and Shang Dynasty. Best Wishes Adrian Remembering Richard Hunn (1949-2006) - Sixteenth Commemoration of His Passing! (1.10.2022)10/5/2022 At certain times it seems more appropriate to remember particular events - whilst at others it is more in keeping (and more opportune) to just let certain dates and times to quietly go by without making any comment. Ch'an certainly has no interest in the conventions of the world - and Ch'an Masters even less! Bodies come into existence and then pass-away - utilising various time-frames inbetween. Society 'measures' these time-spans for scientific reasons - but all the Ch'an Method is concerned about is that each individual 'realises' the empty mind ground! Remembering the physical existence - and the 'joy' Richard Hunn's presence in the world symbolised - the Ch'an Method insists that we 'remember' to 'look' within so that we can directly perceive the 'empty mind ground' with clarity and without interruption! Richard Hunn lived for fifty-seven years and every one of those years emerged from (and eventually returned to) the empty mind ground. This image above, for instance, is a bridge situated in the remote and surrounding (mountainous) areas outside of the City of Kyoto - the place he lived within from 1991-2006. Richard Hunn was engaged in studying the origins of Chinese Ch'an in Japan - and whilst doing this he visited many and numerous Zen Temples and was introduced to 'old' ethnic Japanese martial arts teachers who lived in seclusion whilst practicing 'Chinese' martial arts systems 'outside' of the official grading system of 'coloured belts' authorised by the Japanese Government (usually possessing only a single disciple whose family possessed the financial means to support this sibling and his or her Master). Such Japanese teachers have to live in a remote and simplistic poverty as a form of 'punishment' - as such individuals are not entitled to the generous financial, material and political support afforded to the so-called 'Japanese' martial arts systems 'preferred' by the Japanese Establishment! The point is that Richard Hunn studied a broad segment of Japanese culture - making his living teaching the English language and English literature at Kyoto University. He travelled widely throughout Japan - lived in an old Samurai Cottage - and made effective attempts to see 'through' the preferences and bias of modern Japanese culture - seeing the Chinese roots of much of Japanese culture that is now denied, ridiculed or even actively negated in Japan! In the material realms of study, science and academia all this data collecting is of vital research importance - but none of it transcends the need for the Ch'an Method and the need to effectively 'look' within! This is why I remember the two sides of Richard Hunn - the academic who traversed the material environment making important notes and observations - and the Ch'an Master who effectively 'looked' within, whilst helping others to do the same!
This is quoted from the (1973) book entitled 'Zen Art For Meditation' by Stewart W Holmes and Chimyo Horjoka (Pages 109-111). This is a classic piece of US Cold War agitation and propaganda aimed at removing the history of 'China' from the record books. Interestingly, the US (Eurocentric) racism and Japanese (Ultra-Nationalist) racism overlap to an incredible degree - both flawlessly dovetailing to co-operate in removing the machinations of genuine Chinese Ch'an history from being observed by the average Western mind. The reference for the above piece is from the work of Alan Watts and DT Suzuki - both 'frauds' and the latter a untried Japanese War Criminal. The 'British' Alan Watts travelled around the US giving highly popular 'anti-intellectual' lectures that appealed to the American sense of inflated self-interest whilst terming this Eurocentric and racist interpretation of Asian spiritual culture as 'Zen'. DT Suzuki came from a long line of Japanese fascists who served the Japanese government and its requirement to indoctrinate and brain-wash the Japanese population into mindlessly following orders as part of the Imperial Japanese Military! DT Suzuki influenced Alan Watts (and his fellow Britton Christmas Humphreys) by falsely claiming that true 'Zen' has nothing to do with the Buddhist morality contained within the Vinaya Discipline (which forbids 'killing' in word, deed or thought)! Japanese militarism, on the contrary, demanded that this moral barrier was firmly removed from the highly moral Buddhism - and people like DT Suzuki was the man to do it! He taught entire generations of Japanese youth to inherently hate 'Westerners' and the 'Chinese' as both being examples of inferior races as part of their military training! Indeed, the Chinese Ch'an Buddhist - Master Xu Yun (1840-1959) - who witnessed the Japanese atrocities in China first-hand, was of the opinion that their barbarism and inhumanity stemmed from a corrupt generation of Japanese Buddhist clerics who refused to acknowledge or follow the Vinaya Discipline! Between 1931-1945, the Japanese Imperial Army, (Airforce and Navy) killed around 60 million men, women and children throughout Asia (with a large proportion of these deaths being within China). Despite China being a staunch ally of the West during WWII, China was 'excluded' from the all 'White' panel of Judges at Nuremberg - with the Japanese atrocities committed in China played-down by Western commentators. As the US-backed Nationalist government was forced to flee to Taiwan in the wake of the success of the Socialist Revolution of 1949, the US adopted a policy of immediately rehabilitating Japanese militarism and racist nationalism - dressing it up in the false garb of 'defending' democracy from the threat of Chinese Communism. The US followed exactly the same policy of rehabilitating entire regiments of Nazi Germans in Europe - switching Hitler for 'liberal democracy'! The US made use of the anti-Socialist aspect of fascist ideology and created a political climate where the Japanese nation did not have to acknowledge its extensive crimes in China, or make any amends for these crimes. The US restructured Japan so that Chinese Buddhism was falsely presented as a) corrupt, and b) having 'died-out' centuries ago! This racist lunacy was further strengthened with the equally laughable claim (still found in US and Japanese academia) that 'Zen' only exists in Japan! The Japanese nation has corrupted 'Zen' for so long that it is in no way the representative of Chinese Ch'an! Such an absurd idea has its roots deep within US and Japanese racism! DT Suzuki taught (in pre-WWII Japan) that the Zen of 'Killing' an enemy soldier was a simple as 'breathing-in and breathing-out'! Master Xu Yun - a representative of the Chinese Ch'an tradition that US and Japanese racism falsely state 'does not exist' - taught (by way of comparison) that a Ch'an practitioner should 'not kill - or cause to kill'! And yet US anti-intellectualism views militaristic Japan as the keeper of the peace and peaceful China as the perpetuators of war! Finally, the author Stephen W Holmes was a 'Officer' in the 'Cambridge Buddhist Association (which had DT Suzuki as its founding President)! Chimyo Horjoka took over as 'President' of the above entity with the death of DT Suzuki in 1966 and by 1973 had held that post 7 years, whose broader academic career was in fine arts in the US. Neither one possessed the insight (or 'courage') to expose the anti-China narrative generated by the US post-1945, and indeed, colluded in this book to perpetuate in by writing China 'out of history!' I suspect that Cambridge University will be as embarrassed by its siding with a Japanese War Criminal and US anti-China racism - just as Oxford University's Buddhist Society will live to regret its mindless support for the equally 'racist' 'Pro-Tibetan Movement' - yet another manifestation of US anti-China racism! In the meantime, Bodhidharma conveyed the Indian School of 'Dhyana' Buddhism to China - where it became known as 'Ch'an.' Bodhidharma never visited Japan and so was not the 'founder of the Zen sect.' The modern Japanese government, in its zeal to wipe-out its historical associations with ancient China, mentions (on one of its governmental websites) the lie that 'Zen' came from India to Japan! Although it is often assumed that Ch'an spread to Japan from China during the 12th and 13th centuries (at the time of the Song Dynasty), there is also some evidence that the renowned Japanese Shingon Master 'Kukai' (空海 - Kong Hai) or 'Empty Ocean' (774-835) - was also taught 'Ch'an' and the 'Tea Ceremony' (茶流 - Cha Dao) whilst studying in China (between 804-806 during the Tang Dynasty - staying in temples in and around Chang'an! An English version of this narrative can be found in the work of William Scott Wilson. Chinese language sources suggest that Kukai also studied Sanskrit and insisted on checking that the Buddhist practices in China and Japan were extant in Indian Buddhist Sutra sources. Kukai, writing in the 9th century, confirmed that the Indian transmission of the Dharma to China was 'pure' and 'intact'! Killing the Dharma is killing the truth and this is exactly what posy-WWII US and Japanese policy has attempted to do. This can be countered by upholding the very Vinaya Discipline the contemporary Japanese people have rejected and the ancient Japanese people upheld! The ignorant Americans, however, have yet to uphold the Vinaya Discipline in any of its guises...
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